Friday, July 12, 2013

Painted Poetry

Automat (1927) by Edward Hopper

Read it and weep. Pure emotion on a canvas. A lone woman sitting in an Automat at night staring at a cup of coffee. A solitary moment caught in time. One word: Isolation. She could be anyone, nicely dressed, not a vagrant. Its winter. She wears a coat. Its cold. She wears a glove. But she doesn't even bother to take off her left glove much less her coat. She's too tired, or too cold to remove them. Or is she in hurry? I say no, she's there to get warm or for reflection. She's had something to eat too. An empty plate adds to the emptiness. There is no reflection in the window except for the glare of an avenue of lights, not even her own. More isolation, a tunnel-like effect. She is reflecting inward. She is beautiful, eyes downcast, looking inward. Beautiful legs, the brightest spot on the canvas, providing a voyeur effect.  Where has she just been? Or where is she going?  
A beautiful description of what we sometimes feel, alone in a public place.
The painting is today owned by the Des Moines Art Center in Iowa. 


Sir Real


Grant Wood’s American Gothic is a bit ersatz — the artist recruited a Cedar Rapids dentist, B.H. McKeeby, to pose as the farmer, and his sister Nan plays the woman (conceived as the farmer’s spinster daughter, not his wife).
But the setting was inspired by a real cottage in Wood’s native Iowa, and by his admiration for “the kind of people I fancied should live in that house.”
“I tried to characterize them honestly, to make them more like themselves than they are in actual life,” he said. “To me they are basically good and solid people.”

TheArtofVenus.com


Monday, July 8, 2013

Paintings at The Dallas Museum Of Art

I visit the Dallas Museum of Art a few times a year. I go to study the paintings. Every visit is different as I progress as an artist. I study different styles and techniques. This time I took pictures! Here are some of my favorite paintings from my latest visit. They are on the 2nd level of the museum and you have to take the Blue elevators to get to them.




Paul Gauguin’s Under the Pandanus, also known by its Maori title I Raro Te Oviri.

I was particularly interested in seeing this Gauguin after learning more about his troubled life. I knew about his time with Van Gogh and that he had lived in Tahiti for a time when he painted the beautiful paintings of Tahitian women but I did not know about his many other travels and his troubles with illness. I thought perhaps he had a blissful life there but apparently he did not and it makes the paintings all the more meaningful to me knowing how much beauty he brought to the canvas while in life there was disorder. This painting is very peaceful to me. I am drawn to the trees and the colors and I love how his figures are primitively drawn instead of academically which adds to native and tropical mood.


Amedeo Modigliani’s Boy in Short Pants or Boy in Shorts c. 1918
I love Modigliani's paintings and how all the figures have an emotional quality. I see a sadness is many of them which is possibly a reflection of Modigliani's own life. And I'm always struck by how large they are for the style in which they are painted. The painting is grand and beautiful and begs the question of who this boy is, where has he been and where is he going. 
 And this time I was focused on the face and how there was a cubism quality to his construction of it.



Emile Bernard’s Pont à Pont-Aven 1891
I love the soft palette and the husky geometric qualities of this piece.



Mary Cassatt's The Reading Lesson, c. 1901
I am fascinated by Mary Cassatt as one of the female Impressionists and as an American. This particular painting has all the softness and beauty of Degas, Renoir and Monet that you might not distinguish hers from theirs, until you see her signature. 


Rene Magritte's The light of coincidence 1933
Rene Magritte is one of my very favorite artists. His work is so unique and intriguing. 
His use of light and dark on this piece are very powerful.


Rene Magritte's Our Daily Bread (Le Pain Quotidien) 1942
Another powerful painting by Magritte. I'm always struck by the perfection of every spot on the canvas of his paintings. He was so precise. Not to mention the incredible symbolism and narratives in his works. Its the deeply meaningful paintings like this that made me fall in love with art and want to become an artist. I love how it arouses questions. Is this the love of his life? Is this his way of putting her on a pedestal and showing us that's how much she means to him? Is he putting all women on a pedestal as the "daily bread" of life? 
It looks to me like he has tunnel vision for a beautiful woman.
 Such beauty and meaning. I adore this one.


Pablo Picasso's The Guitarist 1965
Pablo Picasso. Such a rascal and a genius. I love his work. And as a painter and guitarist I especially love his guitarists. This is a very large life size painting. Some areas of the canvas are very quickly and seemingly haphazardly painted, almost impressionistic. It does not interfere with the magic and distinction of the painting. When you stand back and look at it, you don't see that at all. It was painted later in life, 1965, when he was already the art star of the century. He can paint it how he wants. He knows how to put what where, and he puts it where it counts. 
I've been to museums with people who dislike Picasso. They don't understand it or see the beauty in it. When I look at his work, I don't see necessarily see the "pieces", or the "cubes". I see the whole. Like a puzzle that has been put together. And in that I see the balance and the beauty. I see what he has done is incredible innovation. Look at it up close, then stand back and look and it becomes something magical.


Claude Monet's The Seine at Lavacourt 1880
Everyone loves Monet. I love Monet. The soft peacefulness in his paintings. Looking at one is like hearing a symphony. From the distance this one is almost photographic. The colors look so real to life. Or are they? That is Monet's magic. The closer I get the harder it is for me to comprehend how exactly he knew where to apply each stroke of paint. It is sometimes difficult to paint up close what must be seen from a distance.
On this one I was particularly interested in the soft shade of green he used on the tree in the foreground. I find this painting so peaceful I almost want to grab a parasol and head out in a rowboat into the water...


 Georges Braque Still Life with Bottles and Glasses 1912
Georges Braque's cubism still life. When I look at his work I think of how his and Picasso's work must have been earth shattering to see in 1912. People were just coming to grips with Impressionism. I imagine that to own a piece like this would be to see something new in it everyday. And that is what makes a great masterpiece.


Berthe Morisot Winter (Woman with a Muff) 1880
Morisot, one of the great female Impressionists. Her life story and participation in the Impressionist movement is touching and so I always look to see her paintings. I found this painting lovely. Although the woman in the painting is unknown, what is so striking and what makes this painting especially powerful is the woman's posture. Like a photograph you might capture of a woman struggling through the snow on the street on a cold winter day, bundling to stay warm.

I will be adding more to my blog at a later time so feel free to subscribe 
or visit my website to see some of my paintings!
My Paintings are available on Etsy
My Websites : TheArtofVenus.com and Art-Star.net
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Wednesday, July 3, 2013

"Angel Of Mercy" July 2013 Featured Painting


I love painting Surrealism. And this is one of my favorites I've painted. It is an original and is one of a kind. The painting measures 16 x 20 inches. It is Acrylic on canvas and was painted in about a week. The most challenging part of the painting was the background. Transitioning the background from dark to light smoothly is difficult with acrylic because the paint dries so fast. I do not use any other mediums to thin the paint except water. I find many of the chemicals in other mediums too harsh to work with. This is one of the paintings that I sometimes begin and don't know exactly what I'm going to paint or what its about. Sometimes it just comes to me as I'm painting. I knew I wanted to paint a woman who was represented by a tree. The title came to me as I was painting it. It is about how, with God, even when you are stripped of everything, you can still be a proponent of love. This is represented by the heart hanging from the tree. She is an "angel" giving mercy and kindness to others in an often barren world. God is represented by the North Star and is her guiding light to be an example of his love.

This Original Painting Is For Sale
Email Inquires to TheArtofVenus@hotmail.com


My Websites

Wednesday, June 26, 2013

New Painting of SANDRA BULLOCK and AUDREY HEPBURN

I'm excited to share my newest painting of Sandra Bullock and Audrey Hepburn.
The concept is that they are best friends posing for a picture in the party scene
of the movie "Breakfast At Tiffany's"
I worked on the painting for about 6 weeks and used photographs of them as a model.

The Title is "Deeply and Importantly Talented" which is a line from the movie.
40 x 50
Acrylic on Canvas.




Tuesday, April 2, 2013

"ANGEL OF MERCY" SURREALISM PAINTING VIDEO BY VENUS

"ANGEL OF MERCY"
Original Surreal Painting by Venus
16 x 20
Acrylic on Canvas
This painting is for sale email inquiries to TheArtofVenus@hotmail.com



LADY GAGA PORTRAIT VIDEO

LADY GAGA PAINTING BY VENUS
18 X 36
Acrylic on Gallery Wrapped Canvas
This painting is for sale email inquiries to TheArtofVenus@hotmail.com
TheArtofVenus.com

This is a close up of a "Born This Way" photo of Lady Gaga.

 

Friday, December 28, 2012

Rockin New Paintings



New Music Artist Paintings

on Exhibit at MUSIC BIZ

These paintings are for sale 
email inquiries to TheArtofVenus@hotmail.com

 http://www.Art-Star.net


KISS
12 X 12
ACRYLIC ON CANVAS
One Of A Kind Original Painting




BLUES BROTHERS
9 X 12
ACRYLIC ON CANVAS
One Of A Kind Original Painting




MADONNA
9 X 12
ACRYLIC ON CANVAS
One Of A Kind Original Painting



MADONNA
9 X 12
ACRYLIC ON CANVAS
One Of A Kind Original Painting



ROLLING STONES LOGO
8 X 10
ACRYLIC ON CANVAS
Original One Of A Kind Painting



Thursday, December 27, 2012

Peace, Love and Rock and Roll




THIS CD IS ROCKIN !!!!

Rick Springfield's new cd "Songs For The End Of The World" has Awesome Rock n Roll tunes, inspirational songs and
beautiful love songs.
Just when you think you've heard the best song then you hear the next one. I love every song on the cd.


http://www.RickSpringfield.com



"Our Ship's Sinking" Live Rehearsal Video

Thursday, December 6, 2012

New Paintings!


Some new paintings. These are on exhibit at Music Biz.

The Original Paintings are For Sale
Email Inquires to TheArtofVenus@hotmail.com


Acoustic Guitar 11 x 14 Acrylic on Canvas
Fender Electric Guitar 8 x 10 Acrylic on Canvas
Jim Morrison 11 x 14 Acrylic on Canvas
Bob Dylan 11 x 14 Acrylic on Canvas

Saturday, December 1, 2012

Pop Art Paintings by Venus now available at Music Biz



My Pop Art Music Paintings
are now Available
at Music Biz

MUSIC BIZ
4101 W. Green Oaks Blvd., Suite 317
Arlington, Texas 76016


Buddy Holly Original Pop Art Portrait Painting by Venus



 Amy Winehouse Pop Art Portrait
All That Jazz Cubism Music Painting
Britney Spears Portrait
Michael Jackson Pop Art Painting
Pink Pop Art Painting
Buddy Holly Pop Art Portrait Painting



To buy original paintings
Email Inquires to TheArtofVenus@hotmail.com



Tuesday, January 31, 2012

Did Leonardo da Vinci Copy This Famous Sketch?

'Vitruvian Man'



Leonardo da Vinci's drawing of a male figure perfectly inscribed in a circle and square, known as the "Vitruvian Man," illustrates what he believed to be a divine connection between the human form and the universe. Beloved for its beauty and symbolic power, it is one of the most famous images in the world. However, new research suggests that the work, which dates to 1490, may be a copy of an earlier drawing by Leonardo's friend.
Another illustration of a divinely proportioned man — the subject is Christ-like, but the setting is strikingly similar to Leonardo's — has been discovered in a forgotten manuscript in Ferrara, Italy.
Both drawings are depictions of a passage written 1,500 years earlier by Vitruvius, an ancient Roman architect, in which he describes a man's body fitting perfectly inside a circle (the divine symbol) and inside a square (the earthly symbol). It was a geometric interpretation of the ancient belief that man is a "microcosm": a miniature embodiment of the whole universe. Leonardo and other scholars revived this vainglorious notion during the Italian Renaissance.
After decades of study, Claudio Sgarbi, an Italian architectural historian who discovered the lesser known illustration of the Vitruvian man in 1986, now believes it to be the work of Giacomo Andrea de Ferrara, a Renaissance architect, expert on Vitruvius, and close friend of Leonardo's. What's more, Sgarbi believes Giacomo Andrea probably drew his Vitruvian man first, though the two men are likely to have discussed their mutual efforts.
Sgarbi will lay out his arguments in a volume of academic papers to be published this winter, Smithsonian Magazine reports.
The key arguments are as follows: In Leonardo's writings, he mentions "Giacomo Andrea's Vitruvius" — seemingly a direct reference to the illustrated Ferrara manuscript. Secondly, Leonardo had dinner with Giacomo Andrea in July 1490, the year in which both men are thought to have drawn their Vitruvian men. Experts believe Leonardo would have probed Giacomo Andrea's knowledge of Vitruvius when they met. And though both drawings interpret Vitruvius' words similarly, Leonardo's is perfectly executed, while Giacomo Andrea's is full of false starts and revisions, none of which would have been necessary if he had simply copied Leonardo's depiction. [Early Christian Lead Codices Now Called Fakes]
Other scholars find the arguments convincing. 
"I find Sgarbi's argument exciting and very seductive, to say the least," said Indra McEwen, an architectural historian at Concordia University who has written extensively about the works of Vitruvius. "But [I] would opt for the view that Giacomo Andrea and Leonardo worked in tandem, rather than Leonardo basing his drawing on Andrea's."
Rather than competitors, the two Renaissance men were colleagues working together to bring a beautiful, ancient idea back to life.
"Whose was the 'original' drawing is a non-question as far as I'm concerned.  Much as it is a preoccupation of our own time, I don't think it would have been an issue in Leonardo's day," McEwen told Life's Little Mysteries.
Patrice Le Floch-Prigent, an anatomist at the University of Versailles in France who has analyzed the anatomical correctness of Leonardo's famous work, noted that, for both drawings, "the source is Vitruvius."
Furthermore, regardless of their chronology, Leonardo's work is an improvement on Giacomo Andrea's, McEwen said: "Leonardo is by far the superior draftsman, with a far superior understanding of anatomy."
Leonardo's is also more faithful to the text, she explained.
"Nowhere does Vitruvius say that the man is positioned inside the circle and the square at the same time. 'A man lying flat on his back, can be circumscribed by a circle if his hands and feet are outstretched,' writes Vitruvius. Similarly, his height is equal to his arm span, 'just as in areas that have been squared with a set square.'"
Giacomo Andrea's figure has only one set of arms and legs, which are simultaneously circumscribed by a circle and outlined by a square, while "Leonardo deals with [the two propositions] by having the position of his man's arms and legs change. That, I would have to admit, makes his drawing a closer approximation to the textual description than Giacomo Andrea's," McEwen wrote.
One thing is certain. The better Vitruvian man gained international fame, while the simpler but possibly more original one was left to languish in a library for five centuries. That may have to do with the very different fates met by Leonardo and Giacomo Andrea. When the French invaded Milan in 1499, the former fled to safety and went on to achieve eternal renown. The latter stayed in Milan and was hanged, drawn and quartered by the French, and largely forgotten by history — until now.

Source: http://www.msnbc.msn.com/id/46204318

My Paintings are available on Etsy
My Websites : TheArtofVenus.com and Art-Star.net
My Facebook Page VenusArt
My Twitter Page VenusOfficial

Saturday, January 28, 2012

Amy Winehouse Painting


Venus. Amy Winehouse. Acrylic on Canvas. 40 x 50 in.

Because just one Amy Winehouse wasn't enough

My Paintings are available on Etsy
My Websites : TheArtofVenus.com and Art-Star.net
My Facebook Page VenusArt
My Twitter Page VenusOfficial


portrait paintings

Saturday, July 23, 2011

RIP AMY WINEHOUSE



My heart is utterly crushed. Today we lost another beautiful artist way too early.... and to what?..... drugs and alcohol. It makes me angry. And it makes me feel robbed...robbed of the beauty that her kind of talent gave to the world. Let's face it, this world can be an ugly place, and the more things we can find to make it more beautiful, the better. Music is beautiful. It gives people peace, comfort, joy and happiness. And to be robbed of more of what she could have given to so many people, yeah, it makes me angry.  I am tired of the world losing beautiful people this way.....

To be honest, I never heard one of her songs until today and when I did, I was blown away. I have heard of her, but had not heard her music. How can it be that I have never heard the music of someone who won 5 Grammys? I've heard most everything! Maybe they don't play her music on the radio here, or maybe its because in the time of her rise and fall I have been painting and somehow missed out. But whatever the case, I am sad that I did not get to enjoy her music while she was alive, but now that I have discovered it, I realllllly love her music and I think I will be a fan for life.

Thursday, July 21, 2011

Paris Hilton Pop Art Painting


PARIS HILTON
24 X 30
ACRYLIC ON CANVAS

I've been wanting to paint a portrait of Paris Hilton for a long time. I think she's fun. I chose this Neo Pop Art Style for the first one. This is a large painting and I really love the burgandy wine color with the pink. I'm really happy with how it turned out. I had some trouble with this paint though. The burgandy was very opaque and I had to apply 5 or 6 coats of paint to get the color even. I love how the eyes, though somewhat abstract, follow you around the room. And from a distance it gives the impression of a photograph. Can't wait to paint the next one of Paris!

My Paintings are available on Etsy
My Websites : TheArtofVenus.com and Art-Star.net
My Facebook Page VenusArt
My Twitter Page VenusOfficial

Saturday, July 16, 2011

Vincent Van Gogh




VINCENT VAN GOGH
22 X 28
ACRYLIC ON CANVAS

I am soooo excited about this painting of Van Gogh. An art god whom I worship. I don't always like most of what I paint but this one I love. I painted it from one of his self portrait paintings. But I rarely copy. If I reproduce another artist's work, I like to make it my own in some way. And I consider this to be pop art because of its implication of realism while incorporating flat color. Sometimes (or most often) I don't know exactly how I am going to construct a painting, but enjoy an intuitive process of letting the painting and its style reveal itself to me. I chose the colors as I went. And because I am such a huge fan of Van Gogh's I love bold color. I chose yellow as the background because it is a complementary color to blue. I think it sets off the painting so well I can't imagine any other color. I like this style so much I intend to paint more portraits in this style. It feels loose and quirky, has a sense of realism without being perfect. I don't like perfection in my paintings. (If I want perfection, I'll just take a photograph!) I sometimes find more interest in the quirks and like the 'impression' of an idea rather than the blatant statement of it. I am after all a fan/follower/worshiper of the Impressionists and Post Impressionists......so ode to Van Gogh. Can't wait to paint him again and other portraits in this style. :)

This painting is for sale Email me at Venus@Art-Star.net or
visit my website http://www.Art-Star.net


Friday, July 8, 2011

Man held in Picasso theft; artwork unharmed

"Tete de Femme," a 1965 drawing by Pablo Picasso that was... Weinstein Gallery


"Tete de Femme," a 1965 drawing by Pablo Picasso that was stolen July 5, 2011, from the Weinstein Gallery in San Francisco.




The Picasso sketch, recovered by police was on a table co... Brant Ward / The Chronicle
SAN FRANCISCO -- A New Jersey man who has worked in high-end restaurants in New York City flew to San Francisco on the Fourth of July, walked into a Union Square gallery the next day and stole a Pablo Picasso pencil drawing from the wall, police said Thursday in announcing his arrest.
Mark Lugo, 30, who lives in Hoboken, N.J., had Picasso's "Tête de Femme (Head of a Woman)" ready for shipment when San Francisco police arrested him at 9:30 p.m. Wednesday at an apartment complex in Napa, where he was visiting friends, police said.

The 1965 sketch by the Spanish artist was in Lugo's room there, missing the frame that had held it at the Weinstein Gallery on Geary Street but otherwise undamaged, Police Chief Greg Suhr said.

Police believe Lugo was working alone and had planned to ship the artwork, which the gallery was selling for more than $200,000, to an unknown party. In the meantime, said police Lt. Ed Santos, "he was enjoying an evening with friends."

His Napa friends, whom Lugo knew from New York, were unaware of the alleged scheme and have not been arrested, police said.

Just in time

"He had it very nicely and professionally boxed up," said Rowland Weinstein, who owns the gallery where the piece was stolen and viewed it Thursday. "If the police had waited just another day, it would have been in a FedEx box somewhere."

Lugo's arrest capped a series of events that began at about 11:40 a.m. Tuesday, when a man who witnesses noticed was wearing loafers but no socks walked into the gallery at 383 Geary St., lifted the pencil drawing from the wall and walked out.

The gallery had no security camera, but Lefty O'Doul's restaurant down the street did. Its footage showed a man in a dark jacket, light-colored slacks, loafers and no socks walking west on Geary with a framed artwork under his left arm, partly obscured by a newspaper. On Thursday, police said the man was Lugo.

How suspect got away

Police said Lugo got away by hopping into a cab that took him to the Hotel Palomar near Fourth and Market streets in San Francisco, where he had been staying. Investigators found the cabbie, and from there tracked Lugo to the hotel and to Napa, although they would not say how they followed the trail.

Police said Lugo had not talked to them and that they did not know what his alleged plans for the Picasso drawing ultimately were. Weinstein said he did not know the theft suspect.

Lugo does not appear to have a criminal history besides a minor alcohol-related arrest, authorities said. He flew into San Francisco on the Fourth of July, they said, and checked into the high-end Palomar.

Lugo is no stranger to such surroundings. He has worked as a wine steward at BLT Fish, an upscale seafood restaurant in New York City's Flatiron District. Before that, he worked for a year as a dining room expediter and kitchen server at Per Se, the East Coast version of Thomas Keller's Napa Valley restaurant, the French Laundry, a spokesman there said.

A manager at BLT Fish confirmed Lugo's employment, but declined to say how long he had worked there or whether he was still at the restaurant.

"We can assume he has good taste, and how he was going to finance that good taste, perhaps, was based upon his success in obtaining a valuable piece of art," said Capt. Stephen Tacchini, commander of Central Station, whose officers tracked Lugo down. "Now, his accommodations are certainly not on par with the Palomar."

$5 million bail

Lugo was booked on suspicion of burglary, theft, possession of stolen property and drug possession. Police said they were analyzing the substance to determine exactly what type of drug it was.

Lugo's bail was set at $5 million. He declined a request for a jailhouse interview.

Weinstein said it was "just a fluke" that the thief had been able to make off with the drawing.

The gallery hangs its artwork using two hooks, one on the bottom and one on top of the frame, so that if someone tries to pull a piece down, the top hook tugs back. However, the top hook that held the Picasso sketch was loose, and it came out when the thief yanked the drawing from the wall, Weinstein said.

Weinstein says he tries to make his gallery accessible to the public, envisioning it as a kind of free museum on the corner of Union Square. Now, he's planning to install surveillance cameras, have more employees on the floor and change the way the art is hung.

Tearful reunion

Weinstein said his reaction to the recovery of the Picasso piece was one of "tears. Just tears."

The district attorney's office will keep the sketch as evidence for a week or so, but when he gets it back, Weinstein said he may not put it up for sale.

"I might keep it in the gallery, though much more safely in the gallery, and well-protected," he said. "It feels like a piece of the community now."

http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/07/08/MNC41K7JHQ.DTL

E-mail the writers at vho@sfchronicle.com, plucchesi@sfchronicle.com and hlee@sfchronicle.com.

This article appeared on page A - 1 of the San Francisco Chronicle


My Paintings are available on Etsy
My Websites : TheArtofVenus.com and Art-Star.net
My Facebook Page VenusArt
My Twitter Page VenusOfficial

Friday, June 10, 2011

Charlie Sheen Portrait #2


CHARLIE SHEEN
18 x 24
ACRYLIC ON CANVAS

This is Charlie Sheen Painting #2. The Charlie Sheen paintings came about by commission. As it turns out, someone I personally know is friends with him and asked me to paint his portrait as a gift for Charlie Sheen. I decided to paint 3 and let him choose which ones he would like to send to him.

I painted this one from one of his more recent photographs and decided to paint a simple black, white and grey pop art painting. I'm really happy with how it turned out and how the eyes are so distinctly "Charlie".

I painted this on video which will also be sent to Charlie Sheen so he can see how his painting was created!




CHARLIE SHEEN
LIVE POP ART SPEED PAINTING VIDEO
 
 
 
My Paintings are available on Etsy
My Websites : TheArtofVenus.com and Art-Star.net
My Facebook Page VenusArt
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Thursday, May 26, 2011

BREATHE Surreal Painting

I didn't grow up doodling on napkins or creating art except for the occasional coloring book page just like every other kid. No one in my family knew I could draw or paint or would ever become an artist, least of all me. But I became interested in art while in college when I took an art appreciation class as an elective. When the professor began to explain how paintings held intricate meaning besides just being something pretty or interesting to look at, that's when I became fascinated with art, began studying art regularly and began collecting art. And it was the vision and meaning that artists put into their canvases that made me want to become an artist myself. I didn't want to be just an audience member looking at a work, I wanted to be a part of it, to be on the inside of the painting looking out, to have created something completely from my own imagination. That's why I became a painter.

For me, Surrealism is the most intriguing style of art, for its unique ability to be able to step completely outside of the box and be whatever it wants to be. I would say that Surrealism is not predictable by subject matter, but one knows it when one sees it. It is fantasy and curiosity, it can be meaningful and meaningless.
I enjoy attempting to figure out what the artist meant. I enjoy viewing it just as an oddity, leaving interpretation out of it completely.

My favorite Surrealist painting is by Rene Magritte, whose exquisite work fascinates me endlessly, is a piece called "Persian Letters".


To have taken two simple everyday objects and made them into such a fascinating and meaningful masterpiece blows me away. I have seen this painting in person. It is exquisitely painted by brushwork, depth and light. Then you figure in the subject matter, placement of the objects and the title of the work. Simply fascinating.

For that reason, I love creating Surreal paintings. In this new painting called "Breathe" I have painted a cloud, a half moon and a mask with a realistic face. The sky background was difficult to paint with acrylic. To merge the colors and give the sky a sense of depth took a lot of time (and frustration).  As for defining or explaining this painting, I can only say that what I mean to convey is a positve inspirational message. And I feel that everything else about this painting must be left up to interpretation by the viewer. I want its meaning to be personal to the viewer. And while I am no Magritte, I hope you find it to be both intriguing and visually appealing.



BREATHE
16 x 20

ACRYLIC ON CANVAS


My Paintings are available on Etsy
My Websites : TheArtofVenus.com and Art-Star.net
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My Twitter Page VenusOfficial

Monday, January 31, 2011

ELVISSSSSS

I never planned on painting Elvis, but this Elvis Pop Art Painting was by commision and the person who bought it wanted me to paint it on video. I made the background a little different by creating a two-toned effect.  I like the face, but if I did it again, I might paint the background a little different.
  


ELVIS LIVE SPEED PAINTING VIDEO
POP ART PAINTING
16 x 20
ACRYLIC ON CANVAS

Watch More of my painting videos on myYyoutube Channel