Saturday, July 23, 2011


My heart is utterly crushed. Today we lost another beautiful artist way too early.... and to what?..... drugs and alcohol. It makes me angry. And it makes me feel robbed...robbed of the beauty that her kind of talent gave to the world. Let's face it, this world can be an ugly place, and the more things we can find to make it more beautiful, the better. Music is beautiful. It gives people peace, comfort, joy and happiness. And to be robbed of more of what she could have given to so many people, yeah, it makes me angry.  I am tired of the world losing beautiful people this way.....

To be honest, I never heard one of her songs until today and when I did, I was blown away. I have heard of her, but had not heard her music. How can it be that I have never heard the music of someone who won 5 Grammys? I've heard most everything! Maybe they don't play her music on the radio here, or maybe its because in the time of her rise and fall I have been painting and somehow missed out. But whatever the case, I am sad that I did not get to enjoy her music while she was alive, but now that I have discovered it, I realllllly love her music and I think I will be a fan for life.

Thursday, July 21, 2011

Paris Hilton Pop Art Painting

24 X 30

I've been wanting to paint a portrait of Paris Hilton for a long time. I think she's fun. I chose this Neo Pop Art Style for the first one. This is a large painting and I really love the burgandy wine color with the pink. I'm really happy with how it turned out. I had some trouble with this paint though. The burgandy was very opaque and I had to apply 5 or 6 coats of paint to get the color even. I love how the eyes, though somewhat abstract, follow you around the room. And from a distance it gives the impression of a photograph. Can't wait to paint the next one of Paris!

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Saturday, July 16, 2011

Vincent Van Gogh

22 X 28

I am soooo excited about this painting of Van Gogh. An art god whom I worship. I don't always like most of what I paint but this one I love. I painted it from one of his self portrait paintings. But I rarely copy. If I reproduce another artist's work, I like to make it my own in some way. And I consider this to be pop art because of its implication of realism while incorporating flat color. Sometimes (or most often) I don't know exactly how I am going to construct a painting, but enjoy an intuitive process of letting the painting and its style reveal itself to me. I chose the colors as I went. And because I am such a huge fan of Van Gogh's I love bold color. I chose yellow as the background because it is a complementary color to blue. I think it sets off the painting so well I can't imagine any other color. I like this style so much I intend to paint more portraits in this style. It feels loose and quirky, has a sense of realism without being perfect. I don't like perfection in my paintings. (If I want perfection, I'll just take a photograph!) I sometimes find more interest in the quirks and like the 'impression' of an idea rather than the blatant statement of it. I am after all a fan/follower/worshiper of the Impressionists and Post ode to Van Gogh. Can't wait to paint him again and other portraits in this style. :)

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Friday, July 8, 2011

Man held in Picasso theft; artwork unharmed

"Tete de Femme," a 1965 drawing by Pablo Picasso that was... Weinstein Gallery

"Tete de Femme," a 1965 drawing by Pablo Picasso that was stolen July 5, 2011, from the Weinstein Gallery in San Francisco.

The Picasso sketch, recovered by police was on a table co... Brant Ward / The Chronicle
SAN FRANCISCO -- A New Jersey man who has worked in high-end restaurants in New York City flew to San Francisco on the Fourth of July, walked into a Union Square gallery the next day and stole a Pablo Picasso pencil drawing from the wall, police said Thursday in announcing his arrest.
Mark Lugo, 30, who lives in Hoboken, N.J., had Picasso's "TĂȘte de Femme (Head of a Woman)" ready for shipment when San Francisco police arrested him at 9:30 p.m. Wednesday at an apartment complex in Napa, where he was visiting friends, police said.

The 1965 sketch by the Spanish artist was in Lugo's room there, missing the frame that had held it at the Weinstein Gallery on Geary Street but otherwise undamaged, Police Chief Greg Suhr said.

Police believe Lugo was working alone and had planned to ship the artwork, which the gallery was selling for more than $200,000, to an unknown party. In the meantime, said police Lt. Ed Santos, "he was enjoying an evening with friends."

His Napa friends, whom Lugo knew from New York, were unaware of the alleged scheme and have not been arrested, police said.

Just in time

"He had it very nicely and professionally boxed up," said Rowland Weinstein, who owns the gallery where the piece was stolen and viewed it Thursday. "If the police had waited just another day, it would have been in a FedEx box somewhere."

Lugo's arrest capped a series of events that began at about 11:40 a.m. Tuesday, when a man who witnesses noticed was wearing loafers but no socks walked into the gallery at 383 Geary St., lifted the pencil drawing from the wall and walked out.

The gallery had no security camera, but Lefty O'Doul's restaurant down the street did. Its footage showed a man in a dark jacket, light-colored slacks, loafers and no socks walking west on Geary with a framed artwork under his left arm, partly obscured by a newspaper. On Thursday, police said the man was Lugo.

How suspect got away

Police said Lugo got away by hopping into a cab that took him to the Hotel Palomar near Fourth and Market streets in San Francisco, where he had been staying. Investigators found the cabbie, and from there tracked Lugo to the hotel and to Napa, although they would not say how they followed the trail.

Police said Lugo had not talked to them and that they did not know what his alleged plans for the Picasso drawing ultimately were. Weinstein said he did not know the theft suspect.

Lugo does not appear to have a criminal history besides a minor alcohol-related arrest, authorities said. He flew into San Francisco on the Fourth of July, they said, and checked into the high-end Palomar.

Lugo is no stranger to such surroundings. He has worked as a wine steward at BLT Fish, an upscale seafood restaurant in New York City's Flatiron District. Before that, he worked for a year as a dining room expediter and kitchen server at Per Se, the East Coast version of Thomas Keller's Napa Valley restaurant, the French Laundry, a spokesman there said.

A manager at BLT Fish confirmed Lugo's employment, but declined to say how long he had worked there or whether he was still at the restaurant.

"We can assume he has good taste, and how he was going to finance that good taste, perhaps, was based upon his success in obtaining a valuable piece of art," said Capt. Stephen Tacchini, commander of Central Station, whose officers tracked Lugo down. "Now, his accommodations are certainly not on par with the Palomar."

$5 million bail

Lugo was booked on suspicion of burglary, theft, possession of stolen property and drug possession. Police said they were analyzing the substance to determine exactly what type of drug it was.

Lugo's bail was set at $5 million. He declined a request for a jailhouse interview.

Weinstein said it was "just a fluke" that the thief had been able to make off with the drawing.

The gallery hangs its artwork using two hooks, one on the bottom and one on top of the frame, so that if someone tries to pull a piece down, the top hook tugs back. However, the top hook that held the Picasso sketch was loose, and it came out when the thief yanked the drawing from the wall, Weinstein said.

Weinstein says he tries to make his gallery accessible to the public, envisioning it as a kind of free museum on the corner of Union Square. Now, he's planning to install surveillance cameras, have more employees on the floor and change the way the art is hung.

Tearful reunion

Weinstein said his reaction to the recovery of the Picasso piece was one of "tears. Just tears."

The district attorney's office will keep the sketch as evidence for a week or so, but when he gets it back, Weinstein said he may not put it up for sale.

"I might keep it in the gallery, though much more safely in the gallery, and well-protected," he said. "It feels like a piece of the community now."

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This article appeared on page A - 1 of the San Francisco Chronicle

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Friday, June 10, 2011

Charlie Sheen Portrait #2

18 x 24

This is Charlie Sheen Painting #2. The Charlie Sheen paintings came about by commission. As it turns out, someone I personally know is friends with him and asked me to paint his portrait as a gift for Charlie Sheen. I decided to paint 3 and let him choose which ones he would like to send to him.

I painted this one from one of his more recent photographs and decided to paint a simple black, white and grey pop art painting. I'm really happy with how it turned out and how the eyes are so distinctly "Charlie".

I painted this on video which will also be sent to Charlie Sheen so he can see how his painting was created!

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Thursday, May 26, 2011

BREATHE Surreal Painting

I didn't grow up doodling on napkins or creating art except for the occasional coloring book page just like every other kid. No one in my family knew I could draw or paint or would ever become an artist, least of all me. But I became interested in art while in college when I took an art appreciation class as an elective. When the professor began to explain how paintings held intricate meaning besides just being something pretty or interesting to look at, that's when I became fascinated with art, began studying art regularly and began collecting art. And it was the vision and meaning that artists put into their canvases that made me want to become an artist myself. I didn't want to be just an audience member looking at a work, I wanted to be a part of it, to be on the inside of the painting looking out, to have created something completely from my own imagination. That's why I became a painter.

For me, Surrealism is the most intriguing style of art, for its unique ability to be able to step completely outside of the box and be whatever it wants to be. I would say that Surrealism is not predictable by subject matter, but one knows it when one sees it. It is fantasy and curiosity, it can be meaningful and meaningless.
I enjoy attempting to figure out what the artist meant. I enjoy viewing it just as an oddity, leaving interpretation out of it completely.

My favorite Surrealist painting is by Rene Magritte, whose exquisite work fascinates me endlessly, is a piece called "Persian Letters".

To have taken two simple everyday objects and made them into such a fascinating and meaningful masterpiece blows me away. I have seen this painting in person. It is exquisitely painted by brushwork, depth and light. Then you figure in the subject matter, placement of the objects and the title of the work. Simply fascinating.

For that reason, I love creating Surreal paintings. In this new painting called "Breathe" I have painted a cloud, a half moon and a mask with a realistic face. The sky background was difficult to paint with acrylic. To merge the colors and give the sky a sense of depth took a lot of time (and frustration).  As for defining or explaining this painting, I can only say that what I mean to convey is a positve inspirational message. And I feel that everything else about this painting must be left up to interpretation by the viewer. I want its meaning to be personal to the viewer. And while I am no Magritte, I hope you find it to be both intriguing and visually appealing.

16 x 20


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Monday, January 31, 2011


I never planned on painting Elvis, but this Elvis Pop Art Painting was by commision and the person who bought it wanted me to paint it on video. I made the background a little different by creating a two-toned effect.  I like the face, but if I did it again, I might paint the background a little different.

16 x 20

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